Tote Räume

Artist: Gregor Schneider

West Den Haag is thrilled to announce Tote Räume, Gregor Schneider‘s first solo exhibition in the Netherlands. Acknowledged as a groundbreaking artistic proposition, Schneider’s work can be regarded also as prophetic in a time of mandatory social distancing since it is based on mechanisms of physical isolation. Unfolding a sequence of rooms, sculptures, human figures, photos and videos spanning four decades of radical art making, the exhibition is arranged in response to, and exchange with, the original function of its building as the U.S. Embassy in the Netherlands from 1959 until 2018.
A clear example to this exchange is the ‘Interrogation Room’ – a pristine room replicating one of the prison cell modules in Guantánamo Bay Detention Camp, the U.S. detention facility located on Cuba’s southeastern coast. When incorporated into the setting of West Den Haag ‘Interrogation Room’ exceeds the boundaries of the aesthetic field and acquires the status of a real authoritarian space, outlining the exercise of power over the visitors and the potential violation of their bodily sovereignty.
With the display of ‘Cryo-Tank Phoenix 3’ Schneider’s conception of sealed-off spaces extends beyond the political-jurisdictional framework provided by West Den Haag and obtains a metaphysical sense, turning every site in which it emerges into an intermediary zone situated between life and death, between this world and the world to come.

Until 07 March
Lange Voorhout 102

Guide

exhibition
until 06 November

Touch-Ground

Marlot Meyer
Heden
Parts Project
exhibition
until 07 November

Que Pasa – Pat Andrea

Pat Andrea
Galerie Ramakers
Galerie Maurits van de Laar
Page Not Found
exhibition
until 14 November

Spinning the Stars

Maura Biava
Museum Beelden aan Zee
West Den Haag
exhibition
until 05 December

Lovers on the Beach

Lee Kit
West Den Haag
Stroom Den Haag
Kunstmuseum Den Haag
NEST
West Den Haag
West Den Haag
West Den Haag
exhibition
until 06 February

Façade

Igor Mitoraj
Museum Beelden aan Zee
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